Oleh Migas 1967
Related events/documents
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“Open Days”. Video installation by Anatoliy Hankevich, Oleh Migas
1993
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"Sinking of the Titanic". Video documentation of the exhibition
1996
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"Kandinsky Syndrome" (first part of the exhibited triptych)
1995
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"Suspected reality". Video documentation of the exhibition
1992
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"The Cabinet of Dr. Frankenstein. Neochimerism". Photo of a musical performance at the exhibition
1995
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"The Cabinet of Dr. Frankenstein. Neochimerism". Photo of the artpiece "Consequences of Musical Performance". Oleh Migas, Ihor Khodzinsky
1995
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Kandinsky Syndrome. Photo of the artpiece "Chinese Cinema 2". Oleh Migas
1995
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"Space of the Cultural Revolution". Photo documentation of the exhibition
1994
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"Lux Ex Tenebris". General view of the exhibition
1994
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"Random Exhibition". Photo of an art piece by Anatoly Gankevich and Oleg Migas displayed in the framework of the project
1993
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"Suspected Reality" Photos of the exposition of the exhibition
1992
Related archive documents
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"Terrible-loveble". Anna Son
1994
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Appendix #3 List of members of New Art Association. Andriy Taranenko, Olena Mykhaylovska
1999
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"The Silence of Doctor Lecter". Victor Malyarenko
1997
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"Kandinsky Syndrome". Booklets for the project
1995
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"The space of cultural revolution". Brochure by Arsen Savadov, Olexandr Solovyov
1994
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"Source of light". Maria Gudyma
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"Excursion as an act of goodwill". Mykhailo Rashkovetskyi
1994
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"Resto". Excerpt from the explication for the project. Margaryta Anufrieva-Zharkova
1994
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"Suspected reality". Concept of the exhibition. Margaryta Anufrieva-Zharkova
1992
Projects
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The Turbulent 1990s
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Kandinsky Syndrome, exhibition (first part of the exhibited triptych)
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Festival of Contemporary Visual Art “Free Zone”
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Cultural Revolution Space
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Lux ex tenebris
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Terrible-loveble
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Random Exhibition, exhibition of works by Odesa artists
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Opening of Soros’ Contemporary Art Centre in Kyiv: Doors Open Days exhibition
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Opening of Soros’ Contemporary Art Centre in Kyiv: Doors Open Days exhibition
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Suspected reality exhibition
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Official opening of the exposition of the Contemporary Art Museum TIRS